CINEMA | Oh, brother... Check out 'Mother!'
Director Darren Aronofsky's latest film 'Mother!' was graded F by CinemaScore. After watching this psychological horror, it’s clear why audiences weren’t fond of the film.
The plot follows a young woman - “Mother” (Jennifer Lawrence) whose tranquil life with her husband “Him” (Javier Bardem) at their country home is disrupted by the arrival of a mysterious couple (Ed Harris and Michelle Pfeiffer).
The acting is fine, so what’s wrong with the film? The narrative.
Aronofsky has made a project that’s seemingly too ambitious. The filmmaker’s message is that society is hurting Mother Nature, and no-one is doing anything to the contrary. A noble message, but the metaphor isn’t clear.
Watching 'Mother!' is that headache you get after spinning around in circles. Everything in this film happens so fast, it’s confusing and difficult to absorb exactly what is going on with each of the characters. The third act of the film in particular leaves the audience disturbed and frustrated with film’s overall style.
On a positive note, 'Mother!' does star Jennifer Lawrence, who gives a solid performance and stands out in the film as its leading lady. Audiences will have empathy for Lawrence’s character, and find it easy to relate to as she just wants to live in peace with her husband; however, she is constantly interrupted by the visitors, leaving her utterly tormented.
Pfeiffer is splendid to watch as an unwanted guest. She adds a little humour to the film as a nosy visitor, and reminds viewers of Ruth Gordan’s character, Minnie Castevets in 'Rosemary’s Baby'.
Bardem gives a fine performance as “Him” but lacks chemistry with Lawrence... but perhaps this was part of the filmmaker's intent?
The production features well-made design by Philip Messina, and sublime cinematography by Matthew Libatique. It's definitely worth a viewing if only for this aesthetically pleasing aspect.
'Mother!' is a thought-provoking film that will inevitably leave you feeling disturbed, but it might be good to understand the metaphor behind the narrative before heading to the cinema. Although it has its perks, fans of Aronofsky may find this film disappointing.
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